BOS25

Chez-Nous is an alternative art space in Bushwick, created for artists by an artist, with a focus on experimentation and community. Eyes on Art is an artist-led collective spotlighting emerging voices through exhibitions, interviews, and studio visits. Together, we're opening our doors to share work from our collectives and offer a glimpse into each of our practices.

Meet the Artist


  • Chez-Nous Founder

    Marie-Chloé Duval (b. Kamouraska, Quebec) is a former criminologist turned artist whose work explores human connection, memory, and the structures that shape society. After earning degrees in criminology, she shifted fully into painting in 2016 and quickly gained recognition through exhibitions, residencies, and awards in Canada, Europe, and the U.S. Deeply engaged in the art community, Duval has served on boards, written for art platforms, and developed projects bridging disciplines and audiences. Now based in New York City, she draws inspiration from its relentless human energy.


  • Eyes On Art - Co-founder

    An Afro-Caribbean poet from the Dominican Republic based in Brooklyn, explores the essence of her poetry through photography.

  • Javier Enrique is a Puerto Rican visual artist working between New York City and the archipelago. His practice spans photography and installation, examining cultural amnesia, colonial trauma, and systems of belief. He holds an M.S. in Public Relations and Corporate Communications from NYU.


  • Eyes On Art - Co-founder

    Daniel Guillermo Rodriguez is a multidisciplinary designer from Ecuador and based in New York City, he has over a decade of experience developing design systems, exhibition, and digital storytelling for cultural institutions and public-oriented brands.

  • Alex Maceda is a Filipina-American artist and writer living and working in New York City.

    Despite - or perhaps in response to - her devout Catholic upbringing, Maceda's compositional themes center around eroticism, animism, mythology and fate: what and who is destined for us, what we reach for, and how that consciously and unconsciously calls to us. Informed by observation, but untethered from strict representation, the work moves between abstract and figurative, descriptive and intuitive. Undulating figures, anthropomorphic landscapes, and swaths of color morph in and out of each other and the spaces they occupy. The 'search' for the artist is in her spiritual practice; one gets the sense that the compositions are the recordings of a vibrant inner life, rather than the stage for the search itself.